Exhibitions · 2025
A New Experiential Trend: Olfactory Art – How Scent Tells Stories
- Published
- Language
- English
- Reading time
- 4 min
First published in Vietnamese on 16 January 2025. Translated in 2026 and kept to the original.
Since then:
- The line saying Rei Nguyen “will bring the exhibition … to Hanoi this coming February” was written in early 2025; Light and Shadow took place in Hanoi in February 2025.

Art, at its purest, has always sought to awaken feeling and to connect deeply with people. As the art world keeps evolving, each genre and each style finds its own way to touch the human heart. Olfactory art, with the new space for experience it opens up, is a way of exploring memory and feeling afresh, and the depths that feeling holds. It opens a new world in which scent becomes a language, connecting us with deep emotion and with stories not yet told.
What is olfactory art?
Olfactory art is not simply a display of perfume bottles. It is a stroll between feeling and memory, where each trail of scent leads us into an inner world, to explore the depths of the self and stories never told before. In olfactory art, scent becomes the principal means of expression, and smell becomes the “centre” of the experience.
Olfactory art events in Vietnam
Before olfactory art began to appear in Vietnam, exhibitions and events devoted to it had already been held in many countries, particularly in Europe and Asia. These were not merely places to present scents but engaging occasions, in which scent was combined with music, light and other artistic elements to create moving stories, personal to each participant and reflecting their deepest feelings. In Vietnam, small, one-off events such as olfactory art exhibitions and talks on composing fragrance have drawn considerable public interest. It is a welcome sign for the growth of olfactory art in Vietnam, opening fresh ground for people to explore and feel art through the most overlooked of the senses.

Why does olfactory art win the hearts of its audience?
One of the defining traits of olfactory art is its power to lead the visitor deep into their inner self. Scent is not merely a medium but a language: for telling stories left unsaid, for decoding feelings not yet expressed, and for reconnecting each of us with the self within. Every olfactory exhibition is a passage inward, in which visitors do not only “look” but also “feel”, “smell” and “immerse themselves” in the work, and find themselves within it, in each lingering trace of scent.

Journeys of feeling shaped by scent artist Rei Nguyen
As olfactory art steadily establishes itself in Vietnam, Rei Nguyen — scent artist and founder of the niche fragrance house R Parfums — has become one of its most prominent names, leaving an impression that is hard to forget. As well as being a pioneer in bringing olfactory art closer to the public, she has made her mark internationally as the first Vietnamese person to hold a scent exhibition in Japan. Her path began with designing a variety of encounters with scent, in which she skilfully paired smell with other art forms. There was Perfume & Whisky, where guests savoured the subtle layers of niche perfumes from R Parfums alongside Royal Salute, a prestige whisky. There was Perfume & Fine Dining, where scent and haute cuisine came together at the Olfactory Omakase event: Rei Nguyen and Oku restaurant at Regent Phú Quốc created a remarkable olfactory occasion, pairing refined dishes with fragrances inspired by the allure of Phú Quốc. She went further still, bringing olfactory art into the world of flowers and nature with Perfume & Flower, where scent and blossom met and opened new layers of feeling. These events laid the groundwork for her to make her mark in olfactory art on a larger scale. Her first exhibition, Pluviophile – The Rain Lover, was a memorable turning point. With its mysterious atmosphere and stories told note by note, the exhibition not only captured the poetry of rain but opened a deep conversation between artist and audience. Building on that success, her second exhibition, Letters from 221B Baker Street: Scents of Shadow, in Saigon, created an enigmatic world inspired by the Sherlock Holmes detective stories. Each scent told of darkness and light, of the inner struggle between good and evil, leaving visitors with feelings both profound and many-sided. After its success in Saigon, scent artist Rei Nguyen will bring her solo exhibition Letters from 221B Baker Street: Scents of Shadow to Hanoi this coming February, under an entirely new name, “Light and Shadow”. It will be the first time Rei Nguyen has presented her singular world of olfactory art in the capital, giving art lovers the chance to explore the moving interplay of light and shadow through scent. From small events to large-scale exhibitions, Rei Nguyen has continually pushed the boundaries of olfactory art, turning each new project into an enchanting adventure of feeling.





In closing
In a modern world full of noise and haste, olfactory art offers a moment of quiet in which we can listen to ourselves through scent. It is not only a trend but an art form of real promise, opening new horizons of feeling and connection. To explore olfactory art is to come to understand oneself, to live fully with memory and feeling, and to find the beauty hidden in what once seemed invisible.




